Lucy (Scarlett Johansson), a USA college student in Taiwan realizes herself drawn into a drug deal business by Richard (Pilou Asbaek), which she has lately met. However, it’s not simply a common drug deal. The drugs involved are the latest type which can increase the functionality of the human brain. The guy who operating the drug dealing business is a Taiwanese gangster known as Mr. Chang (Choi Min-sik), whose soldiers force Lucy and also a few more victims to bring the drugs into European countries in tiny plastic handbags which are placed into their tummies.
However, vast amounts of the drug slip into Lucy’s body system; her brain grows as well as improves, Besson demonstrates us the proportion growing, and then she is changed into a superwoman, who soon after chooses she does not need to distribute meekly to her destiny. Her memories and even senses improve making sure that she will be able to memorize the flavor of her mother’s milk; she additionally builds a variety of remarkable physical skills that enable her to move forward through time and also space, incapacitate any kind of enemy she encounters, and then seize down her opponents with hard precision (she can also drive while she never learned, letting the film to incorporate a vehicle pursue with an incredible amount of casualties).
With her stiletto high-heels, tight darker suit and rifle, Besson’s Lucy absolutely does not wander in the sky with real diamonds, instead she goes from Taiwan to Paris, in which she meets Prof. Norman, that is obviously captivated by her development. She also reaches a cop inspector who tracks the achievements she works in amazement and then shoots her way by the total 100% of human being physical capability. “Lucy” is an extremely ruthless film with an incredibly great body count. Besson, on the other hand, is not going to record this massacre in the same manner a Modern western does; he practically never savors the bloodstream and also gore. In the end, “Lucy” is not going to seize on its own seriously, and even for many people to take it seriously could be an awful potential error.
Obviously the storyline is totally unbelievable, yet that is a piece of the entertaining available at this entirely modest picture. Besson recognizes that his motion picture is implausible, and he loves that, as do the actors. Scarlett Johansson is superb in the lead; her major portrayal of Lucy appears in some way to involve a sly wink at the viewers, by having her face, that is emotional even if put into a long term scowl of treat. To summarize, “Lucy” is not going to offer an exceptionally worthy view of the male gender. Even though the men in the film are good characters, they happen to be presented as powerless weaklings in the midst of the heroine’s metamorphosis. They dedicate a lot of their precious time gaping at her lucrative body, whose rising skills merely stun them even more.
A different virtue of “Lucy” is the fact that Besson seems to lead capture its own plot into 89 mins only, creating a fast-moving, centered outcome. This is not the type of movie in which you complete time with more and more versions on the similar stunt, along with the effect is delightful. To be an author and also movie director, Besson seemingly understood that a lecture must not go over its own allocated time, if a joke flows much longer, it stops becoming witty.